I know I will catch hell for this post but - girls...remember...art is subjective and for my pallet this is way too much artificial flavor, sweetner and color with a lot of additives that will leave your ears and your soul starving for some real nourishment.
For those who have not caught on, mainstream corporate music is not about promoting actual art. In fact it is the exact opposite. This is why people like Diane Warren, et al are millionaires. They are paid to put out drek which is then foisted on the masses through terrestrial radio and other broadcast medium to which the people are led to believe is good...dare I say great? No! Ok there are a few actual artists that are occasionally given airtime to throw us off the scent. Bruno Mars, Taylor Swift and Adele come to mind. But for all his talent as a scout and a producer, even Pharrel kind of comes up short in the actual songwriting/composing category. He writes a good hook.
So let's look at some more golden children of cookie cutter "music"...Max Martin and Shellback. Adam Lambert should have known from his experience with them on FYE that they are not unique. They have a limited repertoire that they just rehash. Sure "Whadda Ya Want From Me" was a big hit. RCA promoted the hell out of it as eye and ear wash after the performance of the title track on the American Music Awards. Was it a great song? Not at all. In fact one of the best songs on that record was a bonus track. Thankfully Lambert included "Voodoo" on his Glamnation tour and gave the world a taste of what he and Sam Sparro could do when left alone in a studio.
To date Warner Brothers Records has released four tracks from Original High and for me they all fall flat. This is cheap, glitzy club stuff with some Dollar Store glitter shaken on it. The vocal effects are redundant. The beats are boiler-plate and the melodies simplistic. After a three year wait, hoping that Lambert would finally hit his stride and put out quality music...NOPE! He's going for the fast buck on this one and Warner, I am disappointed. From the label that gave My Chemical Romance it's huge push and now is turning Echosmith into the pop superheroes they should be...this is awful.
"Ghost Town", "Underground", "Another Lonely Night" and "Evil In The Night"? Well let's start with two titles on the same record that repeat a word? Now the lyrics? They all tell the same story...so we're going to get this emo tour about broken hearts and unrequited love? Adam...so not you!!! How did you let them take you there? The echo effects, as stated previously, way overused and the cliche finger snaps and whistling? Cheap parlor tricks. These are just some child's venture into a goth arcade penny-candy store. No meat. No potatoes. Not even real dessert. Dammit Adam!! Give me a good slice of cheesecake at least or some homemade ice cream with real fruit in it. I used to say that Adam and his art were like this mysterious Asian meal full of all kinds of exotic flavors...sweet, ,spicy, savory all on the same plate in a restaurant decked out in red silk, brocade and gold leaf. This? This is something you'd get at that scary little Chinese kiosk in the mall food court because your broke and/or in a hurry.
I'm not going to lie. My two favorite Adam Lambert songs will always be "Voodoo" and "Shady". I have met both Sam and Nile and that trio was perfection, especially when they all finally came together on the stage of the Hammerstein Ballroom. Sam is a brilliant song writer and arranger. He doesn't have to overdress the track because its fashion is gorgeous in its natural beauty. I don't think that he hasn't been signed or spun in the mainstream because he's gay but because he is so good. I had hoped and prayed for more of that.
.
To anyone reading this who does not know me - I am probably too close to the situation to be objective. I do know things and it breaks my heart to see this outcome. I had high hopes for Adam. I wanted to see funky and fresh, dark and mysterious, innovative electronica. I don't mind dance and club music. As you can see I am a huge fan of Sam's and Scissor Sisters and Glitch Mob (which my son constantly razzes me for). I love pop music - William Beckett, Echosmith, We Are The In Crowd, The Ready Set, and even Bruno. Pop punk - Paramore, Fall Out Boy and Motion City Soundtrack and whatever category you want to put Kill Hannah in. If Adam had gone down any of these roads - No! He wouldn't be in the Billboard Top 10 for 20 weeks but he would maintain he integrity as a genuine artist and person. To me, this record is a sellout and I'll only listen to it on Spotify. This is $12 that will go for something else. Sorry Adam.
Showing posts with label musicians. Show all posts
Showing posts with label musicians. Show all posts
May 22, 2015
Apr 20, 2013
Record Store Day - Best pop music not on the radio
With all my hipster friends and family getting in on all the vinyl deals today and all the hip folks buying limited edition CDs at their LOCAL RECORD STORE today I decided to wax a bit nostalgic. My vinyl collection lives in two places...albums in the attic-I KNOW NOT GOOD!! Sorry. And 45s...Yep still got 'em in my snazzy little carrying case purchased in the '70's, live in my bedroom. Let's take a look at my library. LPs I'm pretty progressive; Queen, Zeppelin, Ambrosia, The Beatles, Yes and Rick Wakeman, Cream, Chick Corea and Robin Trower. The last two, all discs are imports. I used to make regular runs to Merle's Record rack and dig through all the European releases. Ok, so I guess I was a bit of hipster back then. But then there's the 45s. This stuff is all over the map. The Carpenters, The Osmonds (don't judge), The Bee Gees, Carol King, Sir Elton John (but he wasn't a knight then), Blues Image (open Google for that one), The Beatles, Prelude (oh did I trip you up again?), Captain and Tennille, Richard Harris's version on "MacArthur Park", Michael Jackson, Chicago (of course everybody's prom song of the 70's), Guess Who, Simon & Garfunkel, Paul McCartney & Wings (Yep! more Sir Paul after the Beatles), Patti Labelle (that song came out LONG before Moulin Rouge), Harry Chapin (kinda indie acoustic version of Nickelback-same melody just different lyrics) and Gunhill Road. Gunhill Road. Who the fuck are they you ask? Ok, pretty much one-hit-wonders but we all should have at least one of those in our collections.
The other thing that I noticed as I was going through my stack was the number of labels and not imprints just single companies. RCA was RCA and not a division of Sony. Epic also got swallowed by the Sony beheemoth. Atlantic and Reprise were not part of Warner Music adn Island, A&M and Atco were not divisisions of Universal Music Group. RCA absorbed Chelsea and then shelved it. Rocket Records is now a completely different company. Mercury moved from Chicago to the UK and became an imprint of Virgin. RSO, MCA, and United Artists are now just memories. Motown lost its identity when it moved to L.A. and today is just another major label juggernaut.
And what about 45s? Do you even buy singles any more? Ok, maybe on iTunes. But what about hard-copy singles? Although the cost of living has gone up, the cost of recorded music is still running about the same when you compare it to the wages (minimum) of the people who buy it. The largest percentage of music purchased's demographic is still 14-25. I started my record collection with babysitting money. Then I made a buck an hour before midnight and $2 an hour after plus tips. Albums cost $8. A single was only a dollar and you got two songs. Ok, most "B" sides sucked but sometimes they did make you really consider saving your money for the whole LP. Today you still pay $1.29 for a single on iTunes but that's what you get...a single. No more "B" sides. I must say I do like the trend to EPs that at least get a little more music into circulation at a very reasonable price.
Finally, it seems that Record Store Day is something targeted to and participated in by the people who don't even turn on the radio any more. There are no limited editions today from Beiber, Katy Perry, or Rhianna. About the closest you're gonna get to mainstream is The Black Keys, Bon Jovi and Lincoln Park. In other words, what little notice huge monopoly labels gave to RSD was still mainly to their alternative and indie listeners. Sony, UMG and Warner are only interested in the kids that are buying at Wal-Mart, Target, Best Buy, FYE and digitally. But they don't really do much to entice them to pay for anything so the prices of tickets to pop concerts just go higher to fill in the revenue gaps.
So today was Record Store Day. I hope you went and found your local store and supported it. I hope you continue to. I don't want to see you whining or stomping your feet if they close their doors and you're stuck with censored versions at Wally-World or having to mail order everything. Let's see if we can put "the man" out of business. You know...even if you shop on-line, find a mom & pop. See how often you can avoid the big guys. Help people create jobs for themselves and for you. If hard-copies of music become popular again, more distribution companies will be needed, small marketing firms. Or maybe everything does go digital. It's still going to need to be managed, distributed. Buy a subscription to your favorite internet radio station. Get involved in crowdfunding for competition to labels, radio stations and promoters. Let's all figure this out together.
HAPPY RECORD STORE DAY 2013
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Record Store Day
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