I know I will catch hell for this post but - girls...remember...art is subjective and for my pallet this is way too much artificial flavor, sweetner and color with a lot of additives that will leave your ears and your soul starving for some real nourishment.
For those who have not caught on, mainstream corporate music is not about promoting actual art. In fact it is the exact opposite. This is why people like Diane Warren, et al are millionaires. They are paid to put out drek which is then foisted on the masses through terrestrial radio and other broadcast medium to which the people are led to believe is good...dare I say great? No! Ok there are a few actual artists that are occasionally given airtime to throw us off the scent. Bruno Mars, Taylor Swift and Adele come to mind. But for all his talent as a scout and a producer, even Pharrel kind of comes up short in the actual songwriting/composing category. He writes a good hook.
So let's look at some more golden children of cookie cutter "music"...Max Martin and Shellback. Adam Lambert should have known from his experience with them on FYE that they are not unique. They have a limited repertoire that they just rehash. Sure "Whadda Ya Want From Me" was a big hit. RCA promoted the hell out of it as eye and ear wash after the performance of the title track on the American Music Awards. Was it a great song? Not at all. In fact one of the best songs on that record was a bonus track. Thankfully Lambert included "Voodoo" on his Glamnation tour and gave the world a taste of what he and Sam Sparro could do when left alone in a studio.
To date Warner Brothers Records has released four tracks from Original High and for me they all fall flat. This is cheap, glitzy club stuff with some Dollar Store glitter shaken on it. The vocal effects are redundant. The beats are boiler-plate and the melodies simplistic. After a three year wait, hoping that Lambert would finally hit his stride and put out quality music...NOPE! He's going for the fast buck on this one and Warner, I am disappointed. From the label that gave My Chemical Romance it's huge push and now is turning Echosmith into the pop superheroes they should be...this is awful.
"Ghost Town", "Underground", "Another Lonely Night" and "Evil In The Night"? Well let's start with two titles on the same record that repeat a word? Now the lyrics? They all tell the same story...so we're going to get this emo tour about broken hearts and unrequited love? Adam...so not you!!! How did you let them take you there? The echo effects, as stated previously, way overused and the cliche finger snaps and whistling? Cheap parlor tricks. These are just some child's venture into a goth arcade penny-candy store. No meat. No potatoes. Not even real dessert. Dammit Adam!! Give me a good slice of cheesecake at least or some homemade ice cream with real fruit in it. I used to say that Adam and his art were like this mysterious Asian meal full of all kinds of exotic flavors...sweet, ,spicy, savory all on the same plate in a restaurant decked out in red silk, brocade and gold leaf. This? This is something you'd get at that scary little Chinese kiosk in the mall food court because your broke and/or in a hurry.
I'm not going to lie. My two favorite Adam Lambert songs will always be "Voodoo" and "Shady". I have met both Sam and Nile and that trio was perfection, especially when they all finally came together on the stage of the Hammerstein Ballroom. Sam is a brilliant song writer and arranger. He doesn't have to overdress the track because its fashion is gorgeous in its natural beauty. I don't think that he hasn't been signed or spun in the mainstream because he's gay but because he is so good. I had hoped and prayed for more of that.
.
To anyone reading this who does not know me - I am probably too close to the situation to be objective. I do know things and it breaks my heart to see this outcome. I had high hopes for Adam. I wanted to see funky and fresh, dark and mysterious, innovative electronica. I don't mind dance and club music. As you can see I am a huge fan of Sam's and Scissor Sisters and Glitch Mob (which my son constantly razzes me for). I love pop music - William Beckett, Echosmith, We Are The In Crowd, The Ready Set, and even Bruno. Pop punk - Paramore, Fall Out Boy and Motion City Soundtrack and whatever category you want to put Kill Hannah in. If Adam had gone down any of these roads - No! He wouldn't be in the Billboard Top 10 for 20 weeks but he would maintain he integrity as a genuine artist and person. To me, this record is a sellout and I'll only listen to it on Spotify. This is $12 that will go for something else. Sorry Adam.
Showing posts with label dance music. Show all posts
Showing posts with label dance music. Show all posts
May 22, 2015
Dec 12, 2013
Sam Sparro is spreading holiday love and cheer
Grab a mug or glass of your favorite holiday cheer, put on your dancing shoes and turn up Sam Sparro's addition to this season's collection of new pop songs. Teaming up with Lexus for their "December To Remember" sales event, Sparro took their signature "music box" jingle and whipped that sucker into something that is pure Sam. It has funk, synth and that awesome vocal. But.."Wait!" you say. "The commercial only gives a tease of the chorus". 'Tis true. Only those of us who know Sparro's voice and/or saw his previews on Facebook and Twitter of behind-the-scenes stills and links to the ads on YouTube knew it was our favorite Aussie-English-Californian pop star.
Ah. But on Tuesday 12/10 Lexus released the full music video and the complete track was posted to Sam's Soundcloud. This morning Spotify added it to their catalog. And it is another knock out of the park. Infectious, fun and full of all those holiday sentiments. This is one I want to hear on all the mall muzaks when I go do my shopping. It's also a great addition for all those parties we'll be attending. People will definitely be dancing to it for sure.
Learn more about Sam Sparro:
https://www.facebook.com/pages/Sam-Sparro/20672524168
http://www.samsparro.com
http://twitter.com/sam_sparro
http://www.youtube.com/artist/sam-sparro
His new EP "QUANTUM PHYSICAL VOLUME ONE OUT NOW AVAILABLE ON iTunes!!!
https://itunes.apple.com/us/album/quantum-physical-vol.-1-ep/id715160042
Learn more about Sam Sparro:
https://www.facebook.com/pages/Sam-Sparro/20672524168
http://www.samsparro.com
http://twitter.com/sam_sparro
http://www.youtube.com/artist/sam-sparro
His new EP "QUANTUM PHYSICAL VOLUME ONE OUT NOW AVAILABLE ON iTunes!!!
https://itunes.apple.com/us/album/quantum-physical-vol.-1-ep/id715160042
May 18, 2013
Best pop...Daft Punk sets off chain reaction
Let's start with Daft Punk as pop. Really? Well yeah. The first thing I think of when I think pop is the dance music. The next thing is a whole lot of strong hooks. Daft Punk draws from the very heart and roots of disco. In the 70's Donna Summer, George McCrae, The Village People, and Gloria Gaynor were blaring out of our car radios all the time. 4-on-the-floor was the beat of the day. Daft Punk builds on those models then replaces old Moogs with all manner of current electronic manipulation.
It was no stretch for the French duo to call on geniuses Pharrell Williams and Nile Rodgers to work with them on "Get Lucky", the first single from the new album "Random Access Memories" which drops next week. Now this is a track that will see radio play because Pharell is one of corporate radio's latest sweethearts. But will it get more people listening to Daft Punk? Will future tracks from the record see any attention? That remains to be seen. One thing I will project is that the album does make the Billboard Top5 in its first week due to the size of Daft Punk's fanbase.
But back to "Get Lucky". On the surface I kind of wanted to hate it because it is just more of the same thing that is currently on terrestrial radio. The lyrics have no meat or potatoes, just a lot of sexual fluff. But then I realized when I'm dancing in a club I don't want some deep human condition message coming through the speakers. I want to dance and "Get Lucky" will get people doing just that. My other disappointment is Pharell's vocals. Very thin. I love all the signature DP elements and Nile's guitar line shines through bringing funk with a real pedigree. But again, the vocal just gets lost.
Then..........
Other artists started covering the song before it even hit the terrestrial airwaves. Heck, it's an easy enough track to play with. Thankfully it wasn't long before one of my favorite artists who already has Nile Rodgers collab cred grabbed this song by the hair at the back of its neck and dragged it kicking and screaming into his studio, beat the shit out of it and came out with THIS:
YES!! Sam Sparro needs to do a lot more of this.
So this week's recommendations for "best pop not on the radio"? The entire Daft Punk catalog and Sam Sparro once again (and always).
Also watch Nile's episode of the "Random Access Memories" Collaborators Series here:
http://www.randomaccessmemories.com/
He states exactly what I started this post with "They went back to go forward". Nile is also working with La Roux on her new record. I adore this man.
Don't forget to order Daft Punk's new album next week or buy a digital download. The robots will not disappoint.
www.daftpunk.com
www.samsparro.com
www.nilerodgers.com
Labels:
Daft Punk
,
dance music
,
disco
,
electronica
,
Get Lucky
,
La Roux
,
pop music
,
radio
,
sam sparro
Apr 6, 2013
Great pop that's not on the radio - La Roux
With Coachella coming up, now seems to be a good time to introduce you to La Roux. The core group is vocalist, keyboardist, co-writer Elly Jackson and co-writer, co-producer Ben Langmaid. These two do all the studio creations as a total team effort. On the road Elly fronts a touring band that includes: Michael 'Mikey' Norris (on keyboard), Mickey O'Brien (keyboards and backing vocals) and William Bowerman (on drums). La Roux hails from Brixton UK.
Elly did find a little time on the U.S. charts with "Bulletproof". One of those little tastes corporate radio gives people to try to cover the game of convincing listeners that drek is good. "Bulletproof" is a one of many great dance tracks and so it lent itself well to playing on the car radio while driving or in the clubs. It's also a great platform for remixing. So this catchy song hung around for a little while and seems to have caught the interest of some American listeners. One of the best remixes was actually done by Skrillex. La Roux also drew enough attention to land a Grammy in 2010. It was more than well deserved in the Dance Music category.
My live experience with La Roux was at The Webster (Hartford) a few years ago. First, the demographic of the artists' audience in my area was very broad. From 16-30 LGBT and straight 'typical' dance music fans then there was a small group of really jocky frat-boys. Everyone got along and had a great time. From the opening drum beat to the closing note everyone was dancing and singing along. Elly's energy never lost any momentum and that awesome hairstyle was still intact at the end. The part that impressed me the most is that she sings at the highest end of her range on almost every track and does so live too without a single cracked note and she does sing live-no lip-sync. She and the band mesh perfectly which makes for a great performance and musical show.
Currently she is back in the studio with Ben and there is word that we will get a new album this year. One of the collaborators on the record is one of my new favorite people, Nile Rodgers. For more on La Roux visit http://www.laroux.co.uk/ from there you can link to their Facebook, MySpace, YouTube, Blogger, etc.
Elly did find a little time on the U.S. charts with "Bulletproof". One of those little tastes corporate radio gives people to try to cover the game of convincing listeners that drek is good. "Bulletproof" is a one of many great dance tracks and so it lent itself well to playing on the car radio while driving or in the clubs. It's also a great platform for remixing. So this catchy song hung around for a little while and seems to have caught the interest of some American listeners. One of the best remixes was actually done by Skrillex. La Roux also drew enough attention to land a Grammy in 2010. It was more than well deserved in the Dance Music category.
My live experience with La Roux was at The Webster (Hartford) a few years ago. First, the demographic of the artists' audience in my area was very broad. From 16-30 LGBT and straight 'typical' dance music fans then there was a small group of really jocky frat-boys. Everyone got along and had a great time. From the opening drum beat to the closing note everyone was dancing and singing along. Elly's energy never lost any momentum and that awesome hairstyle was still intact at the end. The part that impressed me the most is that she sings at the highest end of her range on almost every track and does so live too without a single cracked note and she does sing live-no lip-sync. She and the band mesh perfectly which makes for a great performance and musical show.
Currently she is back in the studio with Ben and there is word that we will get a new album this year. One of the collaborators on the record is one of my new favorite people, Nile Rodgers. For more on La Roux visit http://www.laroux.co.uk/ from there you can link to their Facebook, MySpace, YouTube, Blogger, etc.
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