Showing posts with label Vans Warped Tour. Show all posts
Showing posts with label Vans Warped Tour. Show all posts

Feb 19, 2014

The soul of The Acoustic Basement - Brian Marquis

 The 2014 U.S. Acoustic Basement Tour is coming to a close.  It is the second incredibly successful edition of this tour.  So successful that it was approved for a UK version to provide the same "mid-season" acoustic Vans Warped Tour little sister to the UK VWT.  Brian will be traveling with Geoff Rickley and Koji who were on the bill of the debut ABT last year.  They will be joined by English artist Rob Lynch.  I know Brian as production manager, bus dad, musician, friend and road-kid.  He has garnered himself a very special place in my heart.  What follows is the conversation I had with him at the The Underground/Webster Theater, Hartford CT stop of Acoustic Basement Tour.  

Singer-songwriter Brian Marquis made his appearance on the earthly stage in the small village of Litchfield, Connecticut. Most of his early years were spent in the the northwest corner of the state.  Having discovered his penchant and talent for music at the age of thirteen, he did like many of New England's aspiring musicians and became a student at Berklee School of Music after high school.  Also like many of those starry eyed youth, he left the hallowed halls before finishing his degree.  However, he didn't leave Beantown.  Brian became an active musician in the Boston scene and also started getting his feet wet in production, helping other local bands and soloists getting gigs around the area.

Having a friend in Southern California was what first drew Marquis to the Left Coast.  He made very trips out there but did end up back in Connecticut when Therefore I Am broke up.  After moping around his mom's for a while he realized he needed to either get back into music or end up in a factory job in New England.  About the same time another friend offered in a room in her L.A. apartment so Brian took the opportunity and today calls Los Angeles home.

Since settling in CA, Marquis has really focused on his solo career.  In November of 2011, he released his first EP, Snow Damage and followed in January of 2012 with Beneath The Cover Is Earth.  One of the many things he attributes to the spirituality of Southern California is it has given him the freedom to really look deeply inside himself and write songs that come from the heart and soul.  During his recent performance in Hartford he spoke of his mom's influence in "'84 Rookie Card".  The lyrics of "From Boston" speak for themselves and even though some may smile or laugh, there is a very special truth about the city and it's people.  Being part of that community is definitely part of Brian's core.

Only having the chance to discuss the differences between SoCal, New York and Boston with one other musician, the conversation was steered down that path.  As Brian is also a good friend, this time there was a much deeper look into these nuances.  New York compared to L.A. is the focused, 'success' culture.  Los Angeles, under the mainstream radar, is more free-form, testing the waters, creating community.  But what about Boston.  People outside the Northeast really don't give it much thought.  From Brian's perspective, it is close-knit and despite to major arts colleges; Berklee and the New England Conservatory, along with strong arts departments at BU and NorthEastern, there are not a lot of small club venues.  The city and the surrounding areas do, however, have a great "all-ages" community so a lot of music goes on in churches, VFW halls and other non-traditional spaces.  Coming up through that Marquis not only played a lot of these locations but also helped others book gigs in them.  Everyone just wants to play and they want an audience to play with and for.  Asked of "Boston strong" includes their arts community Brian agrees that it is a part of being a Bostonian that bleeds into everything they do.  But Boston also shares that focus of New York when it comes to making a career of art.  One thing Brian says he sometimes feels is a bit lost in all that freedom and collaboration in L.A.  He has that discipline of the East also in his core and it gets frustrating when presented with the open-plan culture of SoCal artists.  However, as previously mentioned, he does embrace the spirituality of the West Coast and the 'breathing room' it gives him to create.

Going solo has also offered Brian the chance to expand his talent as a tour producer.  After joining the Acoustic Basement stage on Vans Warped Tour and seeing the positive response it received, he pitched taking some of the musicians out on a winter tour.  It was an opportunity to fill in that wait for the summer and Warped Tour's return along with sharing the acoustic experience.  This year the tour included Marquis, a local band from New Haven, Step Bar Secret, from OH Front Porch Step, Nick from Hit The Lights also repping the Buckeye State and Transit also Boston kids. During the show I came away with a new awareness of acoustic performances.  They are raw, heart on the sleeve, genuine passion. There's no effects to hide behind and create smoke and mirrors with.  The idea of taking "the basement" on the road has been a great one just in what audiences get to experience. It is definitely a feather in Brian’s cap.

Marquis was very excited to share that the stage and the tour have been so successful that when the suggestion was made to follow up Warped UK with an Acoustic Basement UK, it was met with a very positive response.  Brian will be planning and then packing up himself, Geoff Rickley and Koji to take the tour across the pond this Spring.

I couldn't forget to ask what other arts Brian creates in.  He definitely sees production as an art.  It takes a good sense of creativity along with organization to be successful at it.  He doesn't see himself doing it full time just yet.  Music is still his number one passion right now.  But he also might like to try his hand at stand up comedy again too.  Marquis had a memory flash of the Warped stop in Toronto. Throughout the tour he and a few of the other musicians had been doing impromptu gigs at local bars during the tour.  The bar they picked in Toronto was doing open-mic stand-up when they arrived.  With a little goading from his friends, Brian took a turn, creating his schtick on the fly.  People actually laughed.  He felt he did ok cuz no one booed or threw anything at him and he enjoyed doing it.

This is the first time I've had a chance since last summer to ask Brian about his lightning strike in Key West.  We did see each other back in the Fall on his solo tour but the subject didn't come up.  He says that the new music he is working on is partially due to his electrifying experience with Mother Nature.  After realizing that he had to leave Warped Tour and go home to recuperate he found himself pretty depressed.  Leaving behind the Buss #22 crew and contending with physical after effects caused him to withdraw. Getting back in the studio has helped get him out of that funk.

Watch for new music later this year. The U.S. Acoustic Basement Tour is still going on.  For those in the UK watch for your chance to catch the tour soon.  AND DON'T FORGET Vans Warped Tour this summer. Tickets are on sale now.  Five new bands announced every week on "Warped Roadies" on Fuse TV.

http://www.brianmarquis.com
https://www.facebook.com/brianmarquismusic
https://twitter.com/TheBrianMarquis
http://www.acousticbasement.com/
https://www.facebook.com/acousticbasement
https://twitter.com/AcousticBSMNTNE



Apr 14, 2013

William Beckett and TAI - truly great pop

Ok, don't call me out yet.  Yes, The Academy Is... did get a little radio time back in '06-'07.  But come on...admit it, some of the best tracks, especially from Santi were only known to us fans or those we dragged to shows.  See...I'm right.  Alright, TAI did have some clunkers too..Fast Times At Barrington High was rather self-indulgent and was not the highest note this otherwise truly great pop band should have gone out on.  Let's just remember the good songs that William Beckett and Mike Cardin penned.

My sympathies to anyone who never got to see TAI live.  William is a great frontman and had a fantastic band behind him.  The Butcher killed a kit and Sisky Business on bass was not only a good musician but great comic relief.  Carden took his guitar job seriously but with a wink and a nod.  Even with different rhythms the chemistry always worked.  These guys could bring it whether in the blistering heat of an afternoon Warped Tour set or headlining a show in a 2000 body venue with light show and staging.  They always left us wanting more.

Then it all came to an end.  William went back to Chicago and mulled over his next move.  Try as he might he couldn't stop writing or singing.  But this guy was determined to do whatever "it" was going to be on his terms.  No selling out to labels who would demand he do music handed to him or even doing his own music within their perimeters.  So he started creating, on his own.  He was able to get studio time to engineer recordings that are full, rich with all the necessary instrumentation and effects.  He also had a plan.  Release the project as three EPs, each one a different chapter of a love story.  The sales of each would fund the creation of the next and hopefully generate money for touring.

Touring, that posed another problem.  There was no band.  There was one William Beckett, a MacBook Pro and an acoustic guitar.  This incredibly intelligent and talented artist figured it out.  Some songs are done straight up acoustic and others use backing tracks...and it works.

I had a bit of a wish come true when I actually met Mr. Beckett last year but it was better than my wish because I got to sit down and interview him for over a half hour.  William Beckett is indeed a quiet person off stage.  He watches and listens.  He is a walking encyclopedia of music of the second-half of the 20th Century.  He was the "smart kid" in high school and was determined to head east after graduation.  Beckett still has a number of Jersey artists in his list favorites.  He takes a little bit to warm up to strangers but if you find a topic he's passionate about he'll talk, sharing knowledge, facts and feelings.  The one question I never did get to ask him though, because I didn't notice it till we were wrapping the interview, is the meaning behind his ampersand tattoo.  However, it's easy to see that with William Beckett it's always "and" never an "or" or a "but".

After the interview I got to hear all of the first EP of the trilogy along with a couple of tracks from the second which had not been released at that point.  Especially after hearing it live and even now, my favorite song is still "Girl, You Shoulda Been A Drummer".   He also treated us to some of TAI's greatest hits.  Although a little subdued and matured, he still has very magnetic stage presence...still a great pop artist.  If you are going to Warped Tour this year make a point to catch his set on the Acoustic Basement stage all summer.   It will definitely be worth it.   Add William Beckett to your Spotify, Pandora and LastFM lists and but his EP's on iTunes.

p.s. I think my current Spotify choice will be next week's feature-Cobra Starship!